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As they mature they maintain their character and perform, in some cases, even better then when I first used them. "And when I need a little extra definition there is nothing like the RenaissanceĬat's tongue sables to place the paint with surgical precision. Starting with a quick pencil sketch to block in the figure, he moves to pen and ink. Rob did a demo using sepia ink (made from the ink from cuttlefish) with pen and brush. I especially enjoy the Grand Prix filbert bushes which I use extensively. In figure drawing class with Robert Liberace we experimented with using pen, ink and brush to create spontaneous studies of the figure. "Silver brushes feel as if they have been custom made for me and my painting.
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Every stroke seems to roll directly from my fingertips, which gives me an essential connection to my work. With beautiful craftsmanship and a refined and responsive feel they are ideal painting tools. "From the first broad strokes to the last precise details, Silver Brushes leave their mark on all my paintings. When asked "Why Silver Brush," Rob answers, It helped spark his enthusiasm for drawing, and he received a Knights of Columbus Scholarship for art along with a baseball. Rob's portrait demonstrations have become a favorite for students attending the Portrait Society's Portrait Academies. Website: Born and raised in Rockland County, New York, Rob was introduced to the world of art world through an old library copy of Hogarth's 'Dynamic Figure Drawing' almost four decades ago. Robert has been commissioned to paint portraits for clients such as Marc Pachter, long-time Director of the National Portrait Gallery, George H.W. The previous year he placed Best of Show.
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PORTRAITS: In April of 2003 Robert received the Portrait Society of America's Grand Prize Award in their annual International Portrait Competition. Three of Rob's drawings were selected to be displayed in New York's prestigious Arnot Museum of Art. Rob is working on a book for Watson-Guptill Publishing which focuses on his contemporary approach for creating "old master" style drawings. American Artist magazine highlighted Rob's drawing techniques as the cover feature in their May 2002 annual drawing issue. The first part of the week will focus on drawing methods with an emphasis on form and light. Though each style has a distinctive character, together they provide the artist with a more complete understanding of artistic technique. He works in a variety of mediums including pencil, chalk, pen and ink, watercolor, and oil.ĭRAWING: Rob is perhaps best known for his classic and distinctive style of figure drawing. This class will explore both the organized and elegant manner of classical drawing, and the dynamic, fresh approach of contemporary alla prima painting. His work is inspired by the centuries of knowledge, skill, and elegance of the old masters. Robert Liberace is equally accomplished in drawing, painting, and sculpture.
ROBERT LIBERACE PEN AND INK SERIES